Throughout centuries, artists from Francisco Goya to Frida Kahlo have created art for the purpose of healing, unleashing it as a tool for gratitude, compassion, love, and solidarity in crises of health—both personal and collective. The expressionist artist Edvard Munch painted his way through the Spanish Flu pandemic of 1918. “I see that my own hands can make/ The world that’s in my mind,” wrote Langston Hughes, of the power of art in crises. Now, amid COVID-19 and the movement for racial justice, the current generation of artists is spreading compassion and healing through their works: painting, sculpture, textiles, drawings, and design.

Much of it speaks not only to coronavirus but to the deeper crisis facing America: the disease of racial inequality and injustice. These twin crises are interlinked, exacerbated by each other, and bound by the common denominator of health inequity. Studies have repeatedly shown the ways in which African-Americans in particular, and other people of color, are hit harder by health issues, whether epidemic or endemic. Lower-income communities of color, where social distancing is a luxury, have faced a higher infection and death rate from the virus. When the coronavirus crisis hit, Amplifier, a design lab that has historically built art to amplify grassroots movements (including designing the posters for the 2016 Women’s March) launched a call for artistic submissions that challenge dominant narratives in media and society.

Among them is this poster by Kimberly Marie Ashby, titled ‘Self-Care is Self-Preservation’. Ashby is a Philadelphia-raised Black, queer-femme, artist, activist and psychotherapist. Her art honors social justice issues both in and out of the clinic, serving as therapy to benefit the mental health of marginalized individuals and communities. Photo courtesy of Kimberly Ashby for

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Artist Stat Philips created ‘She the Culture’, which has been projected onto New York high-rises, after a conversation with family members who are healthcare workers: “I developed this piece to provide an illustration for underrepresented women of color on the front lines fighting the spread of a worldly disease.” Photo courtesy of Stat Phillips for

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South Africa-based artist Rebecca Hayter’s poster imagines COVID-19 igniting a brighter future. “To unite the world around rebuilding and reframing the world to come out of this pandemic as the better place we know it can be,” she wrote. “So that the next generation only knows poverty, hunger and inequality as things of the past.” Photo courtesy of Rebecca Hayter for

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“This moment in time has heightened the anxieties of many people around the world. Now more than ever, it’s important that we look inward and focus on the things that bring us joy and peace,” wrote artist-advocate Bee Harris of ‘Find Your Peace.’ Photo courtesy of Bee Harris for

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Art is flourishing not only online but on our streets, too. In Austin, Texas, artist Chris Rogers has honored healthcare workers as superheroes in this powerful mural featuring Storm and Superman.

Man in front of wall with graffiti
Photo courtesy of Chris Rogers via Instagram

“When darkness descends, when the future is uncertain, when hope is dwindling and Doomsday is prepped, there are those that punch in when all have punched out. Heroes. Heroes Rise. Heroes Give. Heroes Sacrifice. Thank you front-liners, one and all,” he wrote, telling Spectrum News that he “also wanted to give a shout-out to all the doctors and nurses of color.”

Photo courtesy of O’Hara Mode via Instagram

Now, Rogers is honoring the Black men and women recently lost to police brutality. With the help of the entire community, which is stepping up to offer donations, he is painting a mural dedicated to George Floyd, Breonna Taylor, Ahmaud Arbery, Sandra Bland, Walter Scott, Philando Castile, Michael Brown Jr., Trayvon Martin, Tamir Rice, Eric Garner, Sean Bell, and Emmett Till and the many others killed in racially-motivated attacks. “There’s not even enough walls in Austin for all these people,” Rogers told KVUE News.

So he’s beginning by dedicating it to George Floyd. “If he can’t breathe, then we can’t breathe,” Rogers said.

This is a project from the Atlantic Council’s Adrienne Arsht-Rockefeller Foundation Resilience Center and the Digital Forensic Research Lab. 

Share your #ResilienceStories and videos with us at [email protected] and join us in sharing on social media: @atlanticcouncil@ArshtRock, @DFRLab.

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The Atlantic Council’s Digital Forensic Research Lab (DFRLab) has operationalized the study of disinformation by exposing falsehoods and fake news, documenting human rights abuses, and building digital resilience worldwide.